| Tengmalm's Owl and Little Owl - only Thorburn painting that sold |
Woodcocks at nest - estimate £10,000-15,000
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| Grey Partridges on sandy bank - estimate £12,000-18,000 |
| Woodcock alighting with young - estimate £6,000-8,000 |
NEWS, PICTURES AND COMMENT FROM THE BIRDING WORLD
| Tengmalm's Owl and Little Owl - only Thorburn painting that sold |
Woodcocks at nest - estimate £10,000-15,000
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| Grey Partridges on sandy bank - estimate £12,000-18,000 |
| Woodcock alighting with young - estimate £6,000-8,000 |
| Brown Skua: photo Liam Quinn via Wikimedia Commons |
UP until late last month , Australia's birds had been spared the H5N1 strain of avian influenza that has caused so much devastation to wildlife in Britain and elsewhere since 2021.
But on June 22, a case was confirmed in a Brown Skua found on a beach on Western Australia's southern coastline.
Two days later, not far away, the same fate fate befell a Giant Petrel.
Both have since died.
There are fears that other birds - seen in a sickly state of health - may also have contracted the disease.
Scientists and poultry farmers are now on high alert amid worries not just for Australia's bird population but for all that in Antarctica.
| Giant Petrel: photo Jerzy Strzelecki via Wikimedia Commons |
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| Peter Mullan stars as a melancholy man with a fixation on the past |
THE Egyptian Goose is a scarce bird in Scotland, usually only seen singly or in pairs, so it is a surprise when a whole flock of them feature prominently towards The Fall of Sir Douglas Weatherford currently on release in British cinemas.
According to the movie, the species was introduced north of the border in the 18th Century by Sir Douglas Weatherford, an eminent explorer, collector of exotic birds, philosopher and surgeon with a special interest in mental illness.
In ancient Egypt, the strange-looking goose was venerated such that it frequently appears in the art of that period.
And it is, maybe, because of this almost mythical reputation that the birds achieve a starring role near the end of this absorbing film.
Trouble is Sir Douglas is an entirely fictional character.
Another anomaly in this dark comedy, directed by Sean Dunn, is that the species is referred to not as Egyptian Goose but as "Marshbird".
No matter, it is a most entertaining film with a cast headed by the always excellent Peter Mullan.
Amid the delightfully scenic Scottish setting, birder-moviegoers will also detect the sound of a Cuckoo and glimpse a Scarlet Ibis (albeit a stuffed museum piece) and a painting depicting a male Golden Oriole.
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| Egyptian Goose - species has part to play in new film |
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| Landseer's Snow Bunting is a male adult displaying |
IT seems a lot of money to pay for a painting of a Snow Bunting, but it was not until bids had reached £5.946-million that the hammer fell at a Sotheby's auction this evening.
That was spectacularly higher than the pre-sale estimate of between £3-million and £4-million for the work by Sir Edwin Landseer (1802-73).
Admittedly, the bunting was support actor to the Red Deer, but small is beautiful.
The Snow Bunting is mostly an uncommon autumn and winter visitor to Britain's coast, but today, as in Landseer's time, there is a small all-year breeding colony in the Scottish Highlands' Cairngorms range.
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| Red Deer, Mountain Hare, Golden Eagle in flight - and diminutive Snow Bunting perched (left) on a rock |
| Autumn arrival - this Snow Bunting was detected at Filey in Yorkshire one morning in October last year |
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| The Red Deer, the Mountain Hare, the Golden Eagle - and what's that bird perched (left) on a rock? |
AUCTION house Sotheby's have high hopes for this painting by Sir Edwin Landseer (1802-73).
It reckons Scene in Braemar - Highland Deer will fetch between £3-million and £4-million when it goes under the hammer in London on Wednesday July 1.
The artist is better known for his sister painting, Monarch of The Glen, which hangs in the Scottish National Museum in Edinburgh, but this one has comparable power.
The catalogue note states: "Thick-maned and massive of body, the stag is a grizzled warrior, his immense brow points declaring his power.
"In the left foreground, a mature hind nestles in the sparse heather at his feet, whilst to the right a mountain hare has emerged from its burrow among the rocks - a feature which suggested to at least one contemporary reviewer a scene from Aesop’s Fables.
"Behind, another hind and a young stag, with their backs to the viewer, gaze up at a Golden Eagle carrying prey in its talons.
"Some unknown presence has disturbed the creatures' restful tranquillity, and the scene is one of momentary tension and alertness."
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| The mystery bird - could it be a male Snow Bunting in breeding plumage? |
He has an MSc in woodland invertebrate ecology and has published research on various subjects including the feeding ecology of fruit bats, bird migration and the ecology of seabirds and Choughs.
In recent months. he has been putting the finishing touches to a book on the birds of Islay and Jura though it is not known if this will be published in time for the book festival.
In November, he will be leading the latest of his many birding tours to one of his favourite countries, Tanzania.
| Mya-Rose has fascinating story to tell about her challenging childhood |
AN unwritten rule among birders is that you should "always try to share your sightings".
So says Mya-Rose Craig in her fascinating book, Birdgirl.
Another of her observations - which requires more reflection from the reader - is that "the most intense moment of a twitch is when the bird is both there and not there."
And she further notes: "The harder you work for the bird, the greater your reward and the sweeter the pleasure."
But is is given added texture by other elements, for instance her disquiet at the lack (at least in the UK) of racial diversity within birding circles.
As the daughter of a White father and a Bangladeshi mother, she laments the casual racism and Islamophobia that she regularly used to encounter at school.
Also threaded into her narrative - with extraordinary frankness - is the challenges she and her father faced as a result of her mother's unpredictable bipolar behaviour which variously sparked night-terrors, depression and mania.
Despite many fabulous moments, life has clearly often been difficult for the author.
As she ruefully concludes: "I have not enjoyed an easy migration into adulthood."
Birdgirl is published in paperback (£10.99) by Vintage/ Penguin.